Artheon MuseumArtheonMuseum

Gravure, Maniere de faire mordre à l'eau-forte: pl. V

Gravure, Maniere de faire mordre à l'eau-forte: pl. V by Antonio Baratta after A.-J. de Fehrt

Medium

engraving on laid paper

Dimensions

plate: 35.5 x 22.3 cm (14 x 8 3/4 in.) sheet: 40.2 x 26.2 cm (15 13/16 x 10 5/16 in.)

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Ailsa Mellon Bruce Fund

Accession Number

1996.20.6

Rights

Public Domain

Art Historical Context

This enchanting engraving, titled *Gravure, Manière faire mordre à l-forte: pl. V* (Engraving, Method of the Etching Bite: V), was created by Antonio Baratta after A.-J. de Fehrt between 1771 and 1779. Printed on laid paper—a traditional support with visible chain lines that speaks to 18th-century craftsmanship—the measures 35.5 x 22.3 cm, inviting close inspection of its intricate details. Housed in the National Gallery of Art's Department of Prints (CG-E) through the Ailsa Mellon Bruce Fund, it exemplifies the era's fascination with technical mastery in the graphic arts. The title reveals its purpose: plate V from a instructional series demystifying etching, or *eau-forte* in French, where acid "bites" into a metal plate to create lines. Baratta's skilled engraving translates de Fehrt's design into a precise visual guide, capturing the chemical process that revolutionized printmaking in the 17th and 18th centuries. Such works were vital for apprentices, bridging artistic innovation with scientific precision amid the Enlightenment's emphasis on knowledge dissemination. Today, this print offers a window into historical techniques, highlighting how engravings preserved and shared specialized skills. Its modest scale belies its cultural weight, reminding us how prints democratized art education in pre-industrial Europe. A true gem for print enthusiasts!

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