Hab.t de la France, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Medium
Etching and hand coloring (watercolor)
Dimensions
3 3/16 × 2 1/16 in. (8.1 × 5.3 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of the Estate of James Hazen Hyde, 1959
Accession Number
59.654.17(21)
Rights
Public Domain
Tags
Art Historical Context
Step into the whimsical world of 18th French playing cards with *Hab.t de la France an enchanting etching from the series *Costumes des Pe Étrangers* ("Costumes of Foreign"). Created anonymously in France between 1700 and 1799, this diminutive print (just 3 3/16 × 2 1/16 inches) captures the essence of French fashion, likely featuring men and women in distinctive and attire. Designed for quartet games—a popular parlor pastime for four players—these cards blended entertainment with subtle cultural commentary, showcasing national dress amid depictions of exotic global styles. The medium of etching with hand-applied watercolor highlights the artistry of the era: etching allowed precise lines for intricate details on such a tiny scale, while vibrant hand coloring brought costumes to life, making each card a miniature masterpiece. This technique was ideal for affordable, mass-produced yet personalized prints, reflecting the Enlightenment's fascination with ethnography and fashion. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department as a gift from the Estate of James Hazen Hyde in 1959, it offers a delightful glimpse into how everyday objects like playing cards served as windows into cultural identity and style.
About the Artist
Anonymous, French, 18th century · 1700–1800
The artist known as Anonymous, French, 18th century, represents a collective of unidentified talents active roughly between 1700 and 1800, a period of profound artistic evolution in France from the opulent Rococo to the austere dawn of Neoclassicism and Revolutionary fervor. Little is documented about their personal training or mentors, as their anonymity obscures individual biographies, though th...