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Half-length Portrait of a Bearded Man in Historical Dress

Half-length Portrait of a Bearded Man in Historical Dress by Richard Parkes Bonington

Medium

Brush and brown wash

Dimensions

sheet: 11 x 9 3/16 in. (28 x 23.3 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, PECO Foundation Gift, 2008

Accession Number

2008.215

Rights

Public Domain

Tags

MenPortraits

Art Historical Context

Richard Parkes Bonington, leading British Romantic artist of the early 19th century, created this *Half-length Portrait of aarded Man in Historical Dress sometime between 1818 and1828. Bonington, who tragically died young at age 25, was renowned for his luminous watercolors and oils inspired by nature and travel, often evoking the dramatic skies and light effects championed by J.M.W. Turner. This intimate drawing captures a bearded figure in period attire, rendered with Bonington's characteristic fluidity during his formative years studying in France alongside Eugène Delacroix. Executed in brush and brown wash on a modest 11 x 9 3/16-inch sheet, the work exemplifies the monochromatic wash technique—a staple of preparatory sketches in the Romantic era. The brown wash allowed Bonington to model form and texture with subtle tonal gradations, suggesting depth and character through loose, expressive strokes rather than precise lines. Such drawings were valued for their spontaneity, bridging studio preparation and finished paintings. Housed in the Metropolitan Museum of Art's Drawings and Prints department (acquired via the PECO Foundation Gift in 2008), this portrait highlights Bonington's versatility beyond landscapes. It reflects Romantic fascination with historical and exotic costumes, inviting viewers to ponder the sitter's enigmatic identity and the era's blend of nostalgia and innovation in portraiture.

About the Artist

Richard Parkes Bonington · 18021828

Richard Parkes Bonington (1802–1828) was a British painter and watercolorist who, despite dying at the age of twenty-five, produced a body of work that had a profound and lasting influence on French and British painting. Born in Arnold, near Nottingham, he moved with his family to Calais and then Paris in 1817, where he studied at the École des Beaux-Arts under Antoine-Jean Gros and copied Old Mas...

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