Hand Bell with Portrait of Lodovico Maria Sforza, 1451-1508, called Il Moro, 7th Duke of Milan, and Figures of Hercules

Art Historical Context

This exquisite bronze hand bell, crafted possibly between 1491 and 1497 by Venetian artist Zuanne I (Zanin) Alberghetti, a portrait of Lodovico Mariaforza—known as Il Moro, the 7th Duke of Milan (1451–1508)—alongside dynamic figures of Hercules. Measuring just 6 by 3⅞ inches, its compact form belies the technical mastery of Renaissance bronze casting, evident in the medium brown patina that lends a warm, aged glow. Such small-scale sculptures were prized for their portability, often serving as personal talismans, diplomatic gifts, or table ornaments in elite households. Lodovico "Il Moro" rose to power in Milan during a golden age of Renaissance patronage, commissioning works from masters like Leonardo da Vinci. The bell's portrait immortalizes him at the height of his influence, while Hercules—symbol of Herculean strength and virtue—likely flatters the duke's ambitions amid Italy's fractious politics. Alberghetti, a skilled founder from Venice, exemplifies the era's fusion of function and fine art, where everyday objects became vehicles for portraiture and classical mythology. Today, this Samuel H. Kress Collection gem at the National Gallery of Art invites us to ponder the intimate side of power: a duke's likeness rung perhaps in private chambers, echoing the grandeur of Milan's ducal court.