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Head of a Girl with Fixed Eyes

Head of a Girl with Fixed Eyes by Jean Baptiste Greuze

Medium

Red chalk on ivory laid paper

Dimensions

26.3 × 24.9 cm (10 3/8 × 9 13/16 in.)

Classification

chalk

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

81217

Rights

Public Domain

Art Historical Context

Jean-Baptiste Greuze, an eighteenth-century French artist celebrated for his emotionally charged portraits and genre scenes, created this intimate head study in red chalk. Working during the transition from Rococo elegance to more naturalistic expression, Greuze often focused on the inner lives of his subjects—particularly young women—capturing fleeting expressions with remarkable sensitivity. Though undated, the drawing exemplifies his interest in psychological depth, here conveyed through the girl’s steady, penetrating gaze. Executed on ivory laid paper, the medium of red chalk (also called sanguine) was prized in Greuze’s era for its warm, lifelike tones and ability to render soft transitions of light and shadow. The technique allowed the artist to model the face with delicate hatching and subtle gradations, giving the features a sculptural yet tender quality. At roughly 26 by 25 centimeters, the work feels personal and immediate, as if inviting viewers to meet the subject’s fixed stare. Housed in the Art Institute of Chicago’s Prints and Drawings department, this chalk study highlights Greuze’s skill as a draftsman and his enduring fascination with human emotion. Such drawings often served as preparatory works or independent explorations of character, offering modern audiences a direct glimpse into the artist’s observational process.

About the Artist

Jean Baptiste Greuze · 17251805

Greuze's paintings are typical for his time and place in that he used clear, bright colors, with subjects exhibiting rather light attitude of eighteenth-century painting. However, he was innovative in introducing a Dutch-influenced realism into French genre painting and portraiture. Through vivid facial expressions and dramatic gestures, Greuze's moralizing paintings exemplified the new idea that ...

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