Artheon MuseumArtheonMuseum

Heilige Sebastiaan vastgebonden aan boom met pijlen in lichaam

anonymous

1500 - 1575

Heilige Sebastiaan vastgebonden aan boom met pijlen in lichaam by anonymous

Medium

engraving

Dimensions

52; 84

Rights

Public Domain

About this artwork

blad: hoogte 84 mm x breedte 52 mm

Art Historical Context

This delicate engraving, titled *Heilige Sebastiaan vastgebonden aan boom met pijlen in lichaam* (Saint Sebastian Tied to a Tree with Arrows in His Body), captures a poignant moment from Christian martyrdom. Created anonymously between 1500 and 1575, it depicts the Roman soldier Saint Sebastian, bound to a tree and pierced by arrows—a classic iconography symbolizing his endurance of persecution under Emperor Diocletian. Measuring just 84 mm high by 52 mm wide, this tiny print was likely designed for personal devotion, allowing worshippers to carry or display it in homes during the Renaissance era. Engravings like this one were revolutionary in Northern Europe, particularly in the Netherlands and Germany, where the technique flourished. An artist would incise fine lines into a copper plate using a burin, creating intricate details through varying line thickness and depth for shading and texture. Inked and pressed onto paper, it enabled affordable multiples, democratizing religious art beyond grand altarpieces. Saint Sebastian's image surged in popularity amid plague outbreaks, as he was revered as a protector against pestilence. Though anonymous, this work reflects the meticulous line work of early 16th-century printmakers, blending spiritual intensity with technical precision. It invites us to ponder resilience and faith in a turbulent age.

About the Artist

anonymous

In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...

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