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Heilige Sebastiaan vastgebonden aan zuil

Heilige Sebastiaan vastgebonden aan zuil by Marcantonio Raimondi

Medium

engraving

Dimensions

175; 109

Rights

Public Domain

About this artwork

blad: hoogte 175 mm x breedte 109 mm

Art Historical Context

Behold *Heilige Sebastiaangebonden aan zuil (Saint Sebastian Bound to Column), a striking engraving by Marcantonio Raimondi, created between 1500 and 1520. This intimate work, measuring just 175 mm high by 109 mm wide, captures the martyrdom of Saint Sebastian, a-century Roman soldier and early Christian saint revered as a protector against plagues. Bound vulnerably to a column, Sebastian embodies themes of faith, endurance, and spiritual triumph—iconography that resonated deeply during the Renaissance amid ongoing fears of disease. Raimondi, a master engraver from Bologna active in Rome, played a pivotal role in democratizing High Renaissance art through printmaking. His precise engravings often reproduced designs by luminaries like Raphael, making elite imagery accessible to a wider audience beyond wealthy patrons. This technique involved incising fine lines into a copper plate with a burin, inking it, and pressing paper to transfer intricate details, allowing for exceptional clarity and tonal depth in small formats. As a cultural artifact, this piece highlights the era's fusion of classical anatomy and Christian devotion, with Sebastian's idealized nude form echoing ancient sculptures. Raimondi's legacy endures in how prints like this preserved and popularized Renaissance ideals, bridging sacred stories with innovative artistry for collectors and pilgrims alike.

About the Artist

Marcantonio Raimondi · 14751534

Marcantonio Raimondi (c. 1480–1534), born near Bologna, Italy, emerged as one of the Renaissance's premier engravers, revolutionizing printmaking through his mastery of reproductive techniques. He trained in the workshop of the goldsmith, painter, and niellist Francesco Francia, whose influence is evident in his early engravings, such as the goldsmith-like shading in *Pyramus and Thisbe* (1505), h...

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