Horse Accomplishments, Sketch 1: An Astronomer !!
Medium
Etching and aquatint
Dimensions
Sheet: 9 in. × 11 15/16 in. (22.9 × 30.4 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
Accession Number
59.533.631
Rights
Public Domain
Tags
Art Historical Context
Welcome to the Metropolitan Museum of Art's Drawings and Prints department, where we showcase "Horse Accomplishments, Sketch1: An Astronomer!" a delightful etching and aquatint August 1, 1799. Created by the renowned British caricaturist Thomasson, with designs by George Murgyd Woodward and published by Rudolph Ackermann in London, this 9 x 11 15/16-inch print captures the whimsical spirit of late Georgian satire. Etching provided crisp lines for exaggerated features, while aquatint rich tonal washes, making these affordable colored prints hugely popular for poking fun at society. This lively caricature skewers pretentious "accomplishments" tied to horses, here featuring an astronomer in a comically absurd scenario—likely a bumbling figure whose equine pursuits eclipse any real stargazing prowess. Rowlandson, a master of the caricature genre, delighted audiences with his sharp wit, often collaborating with Woodward on series like *Poetical Sketches of the Horse*, which lampooned equestrian fads and social climbers. Part of The Elisha Whittelsey Collection, this piece reflects the cultural boom of satirical prints in 1790s London, where humor bridged high art and everyday amusement. It invites us to chuckle at human folly, reminding visitors of satire's enduring role in critiquing vanity amid the Age of Enlightenment's scientific enthusiasm. (198 words)
About the Artist
Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward · 1756–1827
Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...