Artheon MuseumArtheonMuseum

"Integer Vitae...", from the series Vom Tode Zweiter Teil

Max Klinger

1878, later edition

"Integer Vitae...", from the series Vom Tode Zweiter Teil by Max Klinger

Medium

Copper engraving

Dimensions

Plate: 15 15/16 × 12 1/2 in. (40.5 × 31.8 cm) Sheet: 24 1/16 × 18 1/8 in. (61.1 × 46 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Robert L. Isaacson, 1979

Accession Number

1979.674.5

Tags

Male NudesMountains

Art Historical Context

Max Klinger’s “Integer Vitae…,” from the 1878 series *Vom Tode* (On Death), Part Two, invites viewers into a meditation on mortality and moral integrity. The Latin title, drawn from Horace’s famous ode, evokes the ideal of a blameless life—“integer vitae scelerisque purus”—setting the tone for a symbolic exploration of human existence. Rendered as a copper engraving, the print showcases Klinger’s masterful command of line and texture, allowing delicate gradations that heighten the dramatic contrast between the nude male figures and the stark mountain landscape. As part of a larger cycle exami...

About the Artist

Max Klinger · 18571920

Max Klinger, born on February 18, 1857, in Leipzig to a wealthy family, emerged as one of Germany's most innovative artists across painting, sculpture, printmaking, and graphics. Demonstrating early talent, he enrolled at the Academy of Fine Arts in Karlsruhe in 1874 as a pupil of Karl Gussow, following his teacher to the Berlin Academy upon Gussow's appointment as director, and graduated in 1877 ...

    Send Feedback

    We use this only to reply to your feedback.