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Interior of Woods with Small Stream (from Cropsey Album)

Interior of Woods with Small Stream (from Cropsey Album) by William Trost Richards

Medium

Graphite on off-white wove paper

Dimensions

5 x 4 3/4 in. (12.7 x 12.1 cm)

Classification

Drawing

Culture

American

Department

The American Wing

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Charles and Anita Blatt Gift, 1970

Accession Number

1970.9.17

Rights

Public Domain

Tags

RiversForests

Art Historical Context

Nestled within the intimate pages of the Cropsey Album, William T Richards' *Interior of Woods with Small Stream (1854) offers a delicate glimpse into the American wilderness. This graphite drawing on off-white wove paper, measuring just 5 x 4 3/4 inches, captures a dense forest interior pierced by a meandering stream. Richards, a key figure in Hudson River School, was renowned for his meticulous renderings of nature's sublime details, blending Romantic idealism with precise observation. Created during the mid-19th century—a time when American artists celebrated the nation's untamed landscapes amid rapid industrialization—this small-scale sketch exemplifies Richards' preparatory technique. Graphite allowed him to layer subtle tones, evoking the dappled light filtering through foliage, rippling water, and textured bark. Likely drawn en plein air or from close study, it reflects the Hudson River School's emphasis on luminosity and harmony in the natural world, foreshadowing Richards' later luminous oil paintings. Today, housed in The Metropolitan Museum of Art's American Wing (purchased with the Charles and Anita Blatt Gift in 1970), this work invites visitors to appreciate the quiet poetry of everyday scenery, reminding us of the era's reverence for forests and rivers as symbols of America's enduring spirit.

About the Artist

William Trost Richards · 18331905

William Trost Richards (1833–1905) was a prominent American landscape and marine painter born in Philadelphia, where he attended Central High School before beginning his artistic training. Between 1850 and 1855, he studied part-time under the German-born Hudson River School artist Paul Weber while working as a designer and illustrator of ornamental metalwork. He exhibited his first works at the Pe...

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