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Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi

Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi by `Abd al-Rahman al-Sufi

Medium

Ink, opaque watercolor, and gold on paper

Dimensions

H. 9 13/16 in. (24.9 cm) W. 7 5/8 in. (19.4 cm) Thickness: 15/16 in. (2.4 cm) Text Panels: H. 6 7/8 in. (17.5 cm) ; W. 4 in. (10.2 cm) Text panels within rules: H. varies between 17.4 cm and 17.6 cm.

Classification

Codices

Department

Islamic Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Richard Ettinghausen, 1975

Accession Number

1975.192.2

Rights

Public Domain

Tags

MenFishSerpents

Art Historical Context

This 18th-century manuscript of *Kitab suwar al-kawakib al-thabita* (Book of the Images of the Fixed Stars) by the renowned 10th-century astronomer `Abd al-Rahman al-Sufi represents a later copy one of the most influential works on celestial science from the Islamic world. Al-Sufi’s original text cataloged over 1,000 stars, refining Ptolemaic observations with precise descriptions and illustrations of constellations. The Metropolitan Museum’s codex preserves this scientific legacy through delicate ink drawings, opaque watercolor figures, and gold accents on paper, bringing the night sky to life with human and animal forms such as men, fish, and serpents. As a codex in the Islamic Art collection, the manuscript highlights the long tradition of combining empirical astronomy with artistic expression. Constellation figures are rendered with careful attention to both scientific accuracy and ornamental beauty, reflecting how scholars and artists across centuries transmitted knowledge through illuminated books. The use of gold and vibrant pigments not only enhanced readability under candlelight but also elevated the work from a practical reference to a treasured object of intellectual and aesthetic value. Acquired as a gift from scholar Richard Ettinghausen in 1975, this compact volume continues to offer visitors insight into the enduring dialogue between science and art in Islamic culture.

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