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Kusonoki Tatewaki Masatsura (Warrior From the Book: Taiheiki)

Kusonoki Tatewaki Masatsura (Warrior From the Book: Taiheiki) by Yashima Gakutei

Medium

Woodblock print (surimono); ink and color on paper

Dimensions

8 1/4 x 7 1/4 in. (21 x 18.4 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Howard Mansfield Collection, Purchase, Rogers Fund, 1936

Accession Number

JP2426

Rights

Public Domain

Tags

SwordsMen

Art Historical Context

This striking woodblock print by Yashima Gakutei, created around 1840 during Japan’s Edo period, portrays the warrior Kusunoki Tatewaki Masatsura, a figure drawn from the epic historical chronicle *Taiheiki*. The work captures a moment of quiet resolve, with the armored figure holding his swords as symbols of loyalty and martial duty. Gakutei, celebrated for his refined surimono designs, brings a sense of elegance and narrative depth to this intimate scene. Surimono prints like this one were privately commissioned luxury editions, often produced for poetry circles or special occasions. Unlike mass-market ukiyo-e, they featured premium paper, delicate color gradations, and sometimes embossed details, highlighting the high artistic standards of the time. Measuring just over eight inches square, the print invites close viewing, rewarding the eye with its careful balance of line and subtle color. As part of the Metropolitan Museum’s Asian Art collection, this piece reflects the Edo era’s fascination with medieval heroes and the enduring cultural value placed on bushido ideals. It offers viewers a glimpse into how historical stories were kept alive through exquisite printmaking traditions.

About the Artist

Yashima Gakutei · 17861868

Yashima Gakutei (c. 1786–1868), born in Osaka as the illegitimate son of a Tokugawa shogunate samurai named Hirata, adopted the name from his mother's subsequent marriage into the Yashima clan. Little is documented about his early years beyond these familial ties, but he pursued artistic training under the esteemed ukiyo-e masters Totoya Hokkei and Katsushika Hokusai, absorbing their precision in ...

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