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La Borgnesse (The Woman with One Eye), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

La Borgnesse (The Woman with One Eye), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Jacques Callot

Medium

Etching; first state of two (Lieure)

Dimensions

Sheet: 5 7/16 x 3 7/16 in. (13.8 x 8.8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Edwin De T. Bechtel, 1957

Accession Number

57.650.308(19)

Rights

Public Domain

Art Historical Context

Jacques Callot's *La Borgnesse (The Woman with One Eye is a poignant etching from his renowned *Les Gueux* suite—also known as *Les Mendiants*, *Lesoni*, or *Lesons*—created around 1623. This first-state impression captures one of a series of 25 small-scale prints depicting the gritty world of 17th-centuryars and social outcasts in France and Italy. Callot, a master Baroque etcher from Lorraine, revolutionized printmaking with his virtuoso use of the etching needle, producing intricate lines and textures on plates as tiny as 5 7/16 x 3 7/16 inches, allowing for mass reproduction of vivid social commentary. The image portrays a ragged, one-eyed woman in tattered clothes, her pose both pitiful and defiant, embodying the dehumanizing effects of poverty during Europe's tumultuous early modern period. Callot's technique shines in the delicate cross-hatching and swelling lines that convey texture—from worn fabrics to weathered skin—making these diminutive works surprisingly expressive. Produced amid the upheavals leading to the Thirty Years' War, the series humanizes the marginalized, blending empathy with grotesque caricature to critique societal neglect. Today, housed in the Metropolitan Museum of Art (Bequest of Edwin De T. Bechtel, 1957), *La Borgnesse* exemplifies Callot's legacy in elevating printmaking to fine art, influencing later artists like Goya in their depictions of human suffering. Visitors are drawn to its unflinching realism, a window into the underbelly of Baroque-era life.

About the Artist

Jacques Callot · 15921635

Jacques Callot (1592–1635) was a French printmaker and draftsman from the Duchy of Lorraine, widely regarded as one of the first great artists to practice the graphic arts exclusively. His more than 1,400 etchings chronicled the breadth of 17th-century life, from Medici court festivities to the brutal realities of warfare. Callot revolutionized etching through technical innovations including the é...

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