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La Vera Perfettione del Disegno di varie sorti di recami, page 32 (verso)

La Vera Perfettione del Disegno di varie sorti di recami, page 32 (verso) by Giovanni Ostaus|Giuseppe Salviati (Giuseppe Porta, called Il Salviati)

Medium

Woodcut

Dimensions

Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm)

Classification

Books|Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1928

Accession Number

21.15.3(63)

Rights

Public Domain

Tags

Ornament

Art Historical Context

Welcome to page 32 (verso) *La Vera Perfett del Disegno di varie di recami*, a 1567 woodcut book published by Giovanni Ostaus featuring designs attributed to the Mannerist artist Giuseppe Porta, known as Salviati. Created during the Renaissance in Venice, this printed page showcases intricate ornamental motifs ideal for embroidery, lace, and textile decoration—reflecting the era's booming demand for luxurious fabrics among Europe's nobility and merchants. Woodcuts like this one, measuring just 6 5/16 x 8 7/16 inches, were revolutionary for their reproducibility, allowing artisans far beyond Italy to replicate Salviati's elegant, symmetrical patterns of foliage, scrolls, and fantastical elements. Salviati, a pupil of Titian, blended classical grotesques with Mannerist flair, making these designs a bridge between fine art and craft. Pattern books such as this democratized high-style ornament, influencing goldsmiths, weavers, and needleworkers across the continent. Held in the Metropolitan Museum of Art's Drawings and Prints department (Rogers Fund, 1928), this page captures the Renaissance fusion of artistry and utility, reminding us how printed designs fueled the decorative arts revolution of the 16th century.

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