Artheon MuseumArtheonMuseum

Landscape with a Figure Herding Cattle Along a Road Beside a Cottage, a Hillside at Left, a Forest in the Valley Below at Right

Landscape with a Figure Herding Cattle Along a Road Beside a Cottage, a Hillside at Left, a Forest in the Valley Below at Right by Thomas Rowlandson|Thomas Gainsborough

Medium

Aquatint and soft-ground etching

Dimensions

Plate: 10 7/8 x 14 7/8 in. (27.7 x 37.8 cm) Sheet: 12 3/8 x 18 1/2 in. (31.5 x 47 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1933

Accession Number

33.7(7)

Rights

Public Domain

Tags

MenCowsForestsHillsLandscapes

Art Historical Context

This enchanting landscape print, titled *Landscape with a Figure Her Cattle Along a Road Beside Cottage, a Hillside Left, a Forest in Valley Below at Right*, the serene English countryside around 1784–88. Attributed to both Thomas Rowlandson and Thomas Gainsborough—two luminaries of British art—it depicts a lone herdsman guiding cows along a winding road past a humble cottage, with rolling hills on one side and a dense forest on the other. The pastoral scene evokes the tranquility of rural life, a favorite theme for these artists during the late Enlightenment era. Printed in aquatint and soft-ground etching, innovative techniques of the time, the work showcases tonal subtlety and texture. Aquatint allowed for rich, painterly washes of gray, mimicking Gainsborough's fluid landscapes, while soft-ground etching captured delicate lines, possibly echoing Rowlandson's precise draftsmanship. Gainsborough, a pioneer of Romanticism, infused his works with emotional depth and natural beauty, while Rowlandson, known for satirical prints, here demonstrates his versatility in reproductive printmaking. Acquired by The Metropolitan Museum of Art through the Harris Brisbane Dick Fund in 1933, this 10 7/8 x 14 7/8-inch plate exemplifies 18th-century printmaking's role in democratizing art, making Gainsborough's idyllic visions accessible beyond oil paintings. Visitors will appreciate its nod to Britain's evolving appreciation for nature amid industrialization.

About the Artist

Thomas Rowlandson|Thomas Gainsborough · 17561827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

    Send Feedback

    We use this only to reply to your feedback.