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Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti

Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti by Giovanni Francesco Venturini|Giovanni Giacomo De Rossi|Giovanni Battista Falda

Medium

Etching

Dimensions

Plate: 8 5/16 x 12 3/16 in. (21.1 x 31 cm)

Classification

Books|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of D. W. Langton, transferred from the Library

Accession Number

1991.1073.145(52–79)

Rights

Public Domain

Tags

Human FiguresLionsFountainsPalaces

Art Historical Context

Step into the lavish Baroque world of 17th Rome with *Le Fontane ne'azzi e ne' Giard di Roma con li Loro Prosp et Ornamenti*, exquisite etching plate from a celebrated book on the city's fountains, palaces, and gardens. Created by engravers Giovanni Francesco Venturini and Giovanni Battista Falda, and published by Giovanni Giacomo De around 1691 or later, this print captures intricate prospects—detailed views—and ornate decorations of iconic Roman landmarks. Human figures and majestic lions animate the scenes, evoking the grandeur of public spectacles and hydraulic marvels that symbolized papal power and artistic ingenuity. As part of the Metropolitan Museum of Art's Drawings and Prints collection (gift of D. W. Langton), this 8 5/16 x 12 3/16-inch etching exemplifies the veduta tradition, where precise line work and tonal shading via acid-etched copper plates preserved architectural splendor for posterity. Falda, a master of Roman topography, and his collaborators documented ephemeral glories amid the Eternal City's fountains—like those with roaring lions—amid palaces and verdant gardens. These prints were prized by Grand Tour travelers and architects, offering invaluable records of Baroque ornamentation before urban changes altered the landscapes. This artwork invites us to marvel at Rome's fusion of engineering and artistry, a testament to how etchings democratized elite visual culture in the late 1600s.

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