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Le Moulin a Eau (The Water Mill), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)

Le Moulin a Eau (The Water Mill), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) by Israël Henriet|Jacques Callot|Don Giovanni de' Medici

Medium

Etching; second state of three (Lieure)

Dimensions

Sheet: 4 3/4 x 10 in. (12 x 25.4 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1917

Accession Number

17.3.1931

Rights

Public Domain

Art Historical Context

**Le Moulin à Eau (The Water Mill, ca. 1618, is a delicate etching by the masterful French printmaker Jacques Callot, published by Israël Henriet and created for the Medici patron Don Giovanni de' Medici This work belongs to an esteemed series known variously as *Paysages Gravés Jean de Médicis or *Landscapes Designed in Florence*, capturing the idyllic Italian countryside during Callot's time in Tuscany. Measuring just 4 3/4 x 10, its second state of three (as cataloged by Lieure) the refined details typical of Callot's innovative printmaking. Callot, a pioneer of the etching technique, used fine lines and subtle tonal effects to evoke depth and atmosphere in landscapes, revolutionizing the genre in the early 17th century. Working under Medici patronage in Florence around 1610–1620, he produced these views as both artistic gems and diplomatic gifts, blending Northern precision with Italianate scenery. The water mill, nestled amid rustic architecture and flowing water, reflects the era's fascination with nature's harmony and human ingenuity. Housed in the Metropolitan Museum of Art's Drawings and Prints department (Harris Brisbane Dick Fund, 1917), this print exemplifies Callot's influence on Baroque landscape art, bridging Mannerism and emerging realism. Visitors will appreciate its intimate scale, inviting close inspection of the intricate foliage and shimmering reflections—a window into Renaissance Florence's vibrant artistic circles.

About the Artist

Israël Henriet|Jacques Callot|Don Giovanni de' Medici · 15851661

Israël Henriet (c. 1590–1661) stands as one of the most important figures in 17th-century French printmaking, not only as an accomplished engraver in his own right but as the principal publisher and preserver of Jacques Callot's extraordinary legacy. Born in Nancy, Lorraine, around 1590, Henriet belonged to an artistic family and grew up as a childhood friend of Callot, the preeminent printmaker o...

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