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Le Roy et la Reine des Nabots arrivés nouvellement à Londre. Grands amateurs de la coeffure nouvelle

Le Roy et la Reine des Nabots arrivés nouvellement à Londre. Grands amateurs de la coeffure nouvelle by Anonymous, French, 18th century

Medium

Etching

Dimensions

sheet: 13 9/16 x 9 7/8 in. (34.5 x 25.1 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967

Accession Number

67.734.3

Rights

Public Domain

Tags

CaricatureKingsQueensMenWomen

Art Historical Context

Step into the whimsical world of 18th French satire with *Le Roy et la Reine desots arrivés nouvellement àre. Grands amateurs la coeffure nouvelle*, anonymous etching that captures the era's delight in caricature. This playful print depicts self-proclaimed "King and of the Dwarfs," newly arrived in London and utterly enamored with latest extravagant hairstyles—or "coeffure nouvelle." The exaggerated figures, adorned in oversized wigs and regal attire, poke fun at the opulent fashions of European courts, where elaborate hairdos symbolized status amid the excesses of the Rococo period. Created as an etching—a precise intaglio technique using acid to bite intricate lines into a metal plate—this work exemplifies the sharp wit of 18th-century printmakers. Etchings allowed for affordable dissemination of humor, turning social commentary into popular entertainment. Here, the anonymous French artist blends caricature's distortions with keen observation, likely satirizing traveling performers or court dwarfs, who were fashionable curiosities exhibited across Europe, from Versailles to London’s pleasure gardens. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this piece from The Elisha Whittelsey Collection highlights how prints democratized mockery of royalty and trendsetters. It invites us to chuckle at timeless vanities while reflecting the cultural fascination with the exotic and the eccentric in Enlightenment-era Europe.

About the Artist

Anonymous, French, 18th century · 17001800

The artist known as Anonymous, French, 18th century, represents a collective of unidentified talents active roughly between 1700 and 1800, a period of profound artistic evolution in France from the opulent Rococo to the austere dawn of Neoclassicism and Revolutionary fervor. Little is documented about their personal training or mentors, as their anonymity obscures individual biographies, though th...

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