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Le Réveil

Le Réveil by Anders Zorn

Medium

Etching on ivory laid paper

Dimensions

Image/plate: 13.7 × 10 cm (5 7/16 × 3 15/16 in.); Sheet: 35.1 × 25.4 cm (13 7/8 × 10 in.)

Classification

etching

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

41614

Rights

Public Domain

Art Historical Context

Anders Zorn's *Le Réveil* (The Awakening), created in 1891, is a masterful etching that exemplifies the Swedish artist's prowess in printmaking during the late 19th century. Known for his luminous portraits, nudes, and genre scenes, Zorn bridged Realism and Impressionism, often capturing intimate moments with remarkable sensitivity to light and flesh tones. This small-scale work, measuring just 13.7 × 10 cm on ivory laid paper, invites viewers into a private, evocative scene, showcasing his international appeal—he exhibited widely in Europe and the United States, earning acclaim from peers like Sargent and Whistler. Etching allowed Zorn to achieve extraordinary detail and texture through intricate line work and subtle aquatint tones, techniques he perfected to rival painting's richness. Printed on a larger sheet (35.1 × 25.4 cm), *Le Réveil* highlights the revival of printmaking as a fine art, where artists like Zorn elevated the medium beyond reproduction. Housed in the Art Institute of Chicago's Prints and Drawings department, it reflects the era's fascination with naturalism and the female form, blending technical virtuosity with sensual elegance. A gem for collectors, this piece underscores Zorn's legacy as one of the greatest etchers of his time, producing over 130 plates celebrated for their immediacy and psychological depth.

About the Artist

Anders Zorn · 18601920

Anders Zorn (1860–1920), one of Sweden's most celebrated artists, was born on February 18 in Utmeland near Mora in Dalarna, and raised on his maternal grandparents' farm in the nearby hamlet of Yvraden. Displaying prodigious talent from a young age, he attended school in Mora Strand until age twelve, followed by secondary grammar school in Enköping, where he excelled in drawing people and horses. ...

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