Man holding a scroll in front of his face, from "Small Heads in Oriental Headdress"
Medium
Etching
Dimensions
Sheet: 8 7/16 × 5 7/8 in. (21.5 × 15 cm) Plate: 4 5/16 × 3 1/8 in. (11 × 8 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Kenneth Grebinar, 2005
Accession Number
2005.377.66
Rights
Public Domain
Tags
Art Historical Context
In the intimate etching *Man Holding a Scroll in Front of Face*, from Giovanni Benedetto Castiglione's seriesSmall Heads in Oriental He* (ca. 1645–50), we encounter a enigmatic figure whose dramatic gesture captivates the viewer. Italian Baroque master, known as Il Grechetto (160–1664), renders the man's hands clutching a large scroll that partially obscures his face, by an elaborate turban. This work exemplifies Castiglione's fascination with exotic costumes, likely drawn from imaginative Orientalist fantasies rather than direct observation, evoking the era's growing curiosity about distant cultures amid Europe's Age of Exploration. Castiglione's etching technique shines here, with its fine, velvety lines creating rich textures in the headdress folds and subtle contrasts of light and shadow—a nod to his innovative printmaking, influenced by Rembrandt. Produced on a modest plate (just 4 5/16 × 3 1/8 in.), the print's small scale invites close inspection, highlighting the hands' expressive anatomy and the scroll's symbolic weight, perhaps alluding to ancient wisdom or hidden knowledge. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this gift from Kenneth Grebinar in 2005 offers a window into 17th-century Genoa's vibrant artistic scene, where Castiglione bridged painting and printmaking to produce affordable yet masterful works for collectors. A delightful study in mystery and mastery!
About the Artist
Giovanni Benedetto Castiglione (Il Grechetto) · 1609–1664
Giovanni Benedetto Castiglione, known as Il Grechetto, was baptized on March 23, 1609, in Genoa and died on May 5, 1664, in Mantua. Born into a large family, he collaborated closely with his brother Salvatore, an artist who shared his talents, and later taught his son Francesco, whose works were sometimes confused with his own. His parents placed him in the studio of Giovanni Battista Paggi, where...