Man wearing a small turban Oonamented with plumes and ribbon, facing right, from the series of 'Small Heads in Oriental Headdress' (19th century impression)
ca. 1645–1650
Medium
Etching
Dimensions
sheet: 4 5/16 x 3 1/8 in. (11 x 8 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Harris Brisbane Dick Fund, 1947
Accession Number
47.100.770
Rights
Public Domain
Tags
Art Historical Context
Behold the intricate etching *Man wearing a small tur ornamented with plumes and ribbon facing right*, a gem from Giovanni Benedetto Castiglione's (Il Grechetto) series *Small Heads in Oriental He*. Created around 1645–1650 the Baroque era, this19th-century impression captures a poised male profile in exquisite detail on a modest sheet measuring just 4 5/16 x 3 1/8 inches. Housed in the Metropolitan Museum of Art Drawings and Prints department, it reflects Castiglione's mastery as a Genoese artist renowned for his innovative printmaking. Castiglione, influenced by masters like Rembrandt, infused Baroque dynamism into etching—a painstaking intaglio technique where acid bites designs into metal plates for richly textured ink transfer. This series showcases his fascination with exotic "Oriental" attire, evoking 17th-century Europe's growing curiosity about distant cultures through trade and travel. The turban's plumes and ribbon add a theatrical flair, highlighting the subject's dignified gaze turned rightward. These small-scale prints were prized for their portability and intimacy, bridging painting and graphic art. As part of the Harris Brisbane Dick Fund acquisition in 1947, this work invites visitors to ponder how Baroque artists like Castiglione blended fantasy, portraiture, and cultural exoticism in an era of artistic experimentation.
About the Artist
Giovanni Benedetto Castiglione (Il Grechetto) · 1609–1664
Giovanni Benedetto Castiglione, known as Il Grechetto, was baptized on March 23, 1609, in Genoa and died on May 5, 1664, in Mantua. Born into a large family, he collaborated closely with his brother Salvatore, an artist who shared his talents, and later taught his son Francesco, whose works were sometimes confused with his own. His parents placed him in the studio of Giovanni Battista Paggi, where...