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Merveilleuse: Chapeau à l’Anglaise, Spencer à l’Anglaise

Merveilleuse: Chapeau à l’Anglaise, Spencer à l’Anglaise by Horace Vernet|Georges Jacques Gatine

Medium

Hand colored engraving

Dimensions

Sheet: 16 3/16 × 10 11/16 in. (41.1 × 27.1 cm) Plate: 14 9/16 × 9 1/2 in. (37 × 24.1 cm) Album: 16 3/4 × 11 5/8 × 11/16 in. (42.5 × 29.5 × 1.7 cm)

Classification

Books|Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1924

Accession Number

24.18(21)

Rights

Public Domain

Tags

FashionWomen

Art Historical Context

In 1814, amid the Bourbon Restoration following Napoleon's abdication, French fashion enthusiasts embraced this hand-colored engraving titled *Merveilleuse: Chapeau à l’Anglaise, Spencer à l’Anglaise*. Created by painter Horace Vernet and engraver Georges Jacques Gatine it exemplifies the vibrant fashion plates that popularized high-style trends among Europe's elite women. The "Merveilleuse"—a nod to the glamorous, neoclassical beauties of the late 1790s Directory period—here sports an "English hat" (a wide-brimmed chapeau à l’anglaise) and a tailored spencer jacket, reflecting Anglo-inspired simplicity and elegance that contrasted with the opulent Empire silhouette. Hand-coloring elevated these engravings from mere illustrations to coveted collectibles, with delicate washes of watercolor adding lifelike vibrancy to fabrics and feathers. Produced on a modest sheet (16 3/16 × 10 11/16 in.), this print from the Metropolitan Museum of Art's Drawings and Prints department captures the era's cultural shift: English influences symbolized post-Revolutionary restraint and emerging Romanticism in women's attire. These plates were more than art—they were trendsetters, disseminated via albums to mantua-makers and magazines, shaping wardrobes across social classes and bridging art with everyday aspiration. A charming window into Regency-era glamour!

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