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Military Festival at Boulogne with Napoleon Distributing Stars of the Legion of Honor

Victor Adam

19th century

Military Festival at Boulogne with Napoleon Distributing Stars of the Legion of Honor by Victor Adam

Medium

Lithograph

Dimensions

Sheet: 13 3/8 x 17 11/16 in. (33.9 x 44.9 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Harry G. Friedman Bequest, 1967

Accession Number

67.539.370

Rights

Public Domain

Tags

MilitaryMenHorses

Art Historical Context

Victor Adam's *Military Festival at Boulogne Napoleon Distributing Stars of the Legion of Honor* captures grand moment of imperial pomp from the Napoleonic era. This 19th-century lithograph depicts Napoleon Bonaparte at the Camp of Boulogne, a massive military encampment established in 1803–1805 as a staging ground for his aborted invasion of England. Surrounded by soldiers on horseback and cheering troops, Napoleon bestows the stars of the Légion d'Honneur—a prestigious order he founded in 1802 to honor military valor and civilian merit—elevating the scene into a symbol of French pride and unity. As a lithograph, printed on a 13 3/8 x 17 11/16-inch sheet, the work exemplifies the medium's revolutionary role in 19th-century art. Lithography allowed artists like Adam, a specialist in military subjects, to produce detailed, affordable reproductions that brought historical events to a wide audience. The dynamic composition, with rearing horses and uniformed men, conveys the energy and discipline of Napoleon's Grande Armée, blending realism with dramatic flair. Now in the Metropolitan Museum of Art's Drawings and Prints collection (purchase from the Harry G. Friedman Bequest, 1967), this print offers visitors a vivid window into the spectacle of Napoleonic France, where military glory intertwined with national identity.

About the Artist

Victor Adam · 18011866

Victor Adam was born in Paris in 1801 and built a prolific and commercially successful career as one of the leading lithographers and illustrators of nineteenth-century France. He received a conventional academic training in painting, but it was the new medium of lithography — still in its first decades of widespread use when Adam came of age — that provided the ideal vehicle for his gifts: a faci...

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