Artheon MuseumArtheonMuseum

Mision San Carlos de Borromeo de Carmelo

James Jones

1935/1942

Mision San Carlos de Borromeo de Carmelo by James Jones

Medium

lithograph on wove paper

Dimensions

overall: 30.5 x 22.9 cm (12 x 9 in.)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.18232

Rights

Public Domain

Art Historical Context

Welcome to the National Gallery of Art's showcase of American design! "Mision San Carlos de Boro de Carmelo" a captivating lithograph on wove paper by James Jones, created between 1935 and 1942. Measuring 30.5 x 22.9 cm, this rendering captures the iconic architecture of one of California's historic Spanish missions, founded in 1770 by Father Junípero Serra. The mission, nestled in Carmel-by-the-Sea, exemplifies early colonial efforts to establish Franciscan outposts along the Pacific coast, blending European Baroque influences with local materials like adobe and stone. As part of the Index of American Design—a Federal Art Project under the Works Progress Administration (WPA)—this artwork reflects a Depression-era initiative to document and celebrate everyday American crafts, architecture, and folk art. Jones's lithographic technique, printed on smooth wove paper, allowed for faithful, high-contrast reproductions of intricate details like arched doorways, bell towers, and textured walls, preserving cultural heritage amid economic hardship. Lithography's affordability made these designs accessible, sparking national pride in regional histories. This piece invites us to appreciate how missions like San Carlos Borromeo shaped California's identity, from indigenous interactions to statehood. A testament to artistic documentation, it bridges past and present in the NGA's CG-W Department collection. (198 words)

About the Artist

James Jones · 19121942

James Jones is an artist whose biographical details are not well established in the historical record. No birth or death dates are confirmed, and his nationality and place of work remain uncertain, complicating efforts to situate him within a broader artistic tradition. The volume of work attributed to Jones — nearly fifty pieces in museum collections — indicates a committed and productive artist...

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