木曽海道六拾九次之内 宮ノ越|Moonlit Night at Miyanokoshi, from The Sixty-nine Stations of the Kisokaidō
ca. 1838
Medium
Woodblock print; ink and color on paper
Dimensions
H. 9 5/8 in. (24.4 cm); W. 14 3/4 in. (37.5 cm)
Classification
Prints
Culture & Period
Japan · Edo period (1615–1868)
Department
Asian Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939
Accession Number
JP2871
Rights
Public Domain
Tags
Art Historical Context
In the moonlit glow of *Moonlit Night at Miyanokoshi*, Utagawashige captures a serene yet evocative moment along Japan's historic Kisokaidō road. Created around 1838 during the Edo period (1615–1868), this woodblock print is part of Hiroshige's renowned *Sixty-nine Stations of theokaidō* series, which depicts the 69 post stations on this vital inland route connecting Edo (modern Tokyo) to Kyoto. Rivaling his contemporary Hokusai's fame, Hiroshige's ukiyo-e style—meaning "pictures of the floating world"—brings everyday landscapes to life with poetic realism, making art accessible to commoners through affordable prints. The scene unfolds at night, where a graceful bridge arches over a misty river, flanked by shadowy trees and silhouetted human figures—likely weary travelers. Hiroshige's genius shines in his masterful use of ink and color on paper, layering subtle blues and silvers to evoke moonlight's ethereal shimmer. At just 9⅝ × 14¾ inches, the intimate scale draws viewers into the quiet drama of nature's beauty and human journey, a hallmark of his atmospheric landscapes. This print, from the Metropolitan Museum of Art's Henry L. Phillips Collection, reflects Edo Japan's cultural fascination with travel and the transient beauty of the seasons, inspiring later Impressionists like Monet and Van Gogh. A testament to woodblock printing's collaborative artistry—involving carvers, printers, and publishers—it invites us to pause and ponder the poetry in a moonlit path.
About the Artist
Utagawa Hiroshige · 1826–1869
Utagawa Hiroshige (1797–1858), born Andō Tokutarō, was the last great master of Japanese ukiyo-e woodblock printmaking and one of the most influential landscape artists in history. Born in Edo (modern Tokyo) into a low-ranking samurai family serving as fire wardens, Hiroshige transformed landscape printmaking into a poetic meditation on nature, weather, and everyday life. His revolutionary approac...