Moutons parqués

Art Historical Context

**Moutons parqués (Penned Sheep)** Félix Bracquemond, a pioneering French printmaker, created this etching in 1856, with possible involvement from Albert Brendel. The work captures a pastoral scene of sheep herded by dogs, evoking the quiet rhythms of rural life in-19th-century France Bracquemond, renowned for his meticulous animal studies, drew from keen observation of nature, blending realism with a growing interest in Japanese print influences that would later define his career. This is the second state of two meaning subtle refinements were made to the plate after the first edition—likely enhancing details in the flock's texture or the dogs' alert postures. Etching, an intaglio technique where acid bites into a metal plate, allowed Bracquemond to achieve rich tonal contrasts and fine lines, making prints like this accessible yet collectible art. Measuring about 7 x 9 inches on the plate, it's a compact gem from the Metropolitan Museum of Art's Drawings and Prints collection, acquired via the Harris Brisbane Dick Fund in 1927. For visitors, *Moutons parqués* offers a serene window into 19th-century etching mastery, highlighting how prints democratized high art while celebrating everyday countryside harmony. Spot the lively dogs amid the woolly herd—Bracquemond's touch brings them vividly to life!

About the Artist

Félix Bracquemond|Albert Brendel · 1833–1914

French, Paris 1833–1914 Sèvres