Artheon MuseumArtheonMuseum

Mrs. Showell, the Woman who shows General Guise's Collection of Pictures at Oxford

Thomas Rowlandson

February 26, 1807

Mrs. Showell, the Woman who shows General Guise's Collection of Pictures at Oxford by Thomas Rowlandson

Medium

Hand-colored etching

Dimensions

Sheet: 8 1/16 × 5 1/8 in. (20.4 × 13 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.1979

Rights

Public Domain

Tags

SatireWomen

Art Historical Context

Thomas Rowlandson, a master of British satire during the late Georgian era, created *Mrs. Showell, Woman who shows General Gu's Collection of Pictures at* in 1807. This hand-colored etching, measuring just over 8 by 5 inches, exemplifies Rowlandson's witty caricatures, which poked fun at social customs, politics, and everyday life. Produced as a affordable print for a wide audience, the hand-coloring adds vivid humor and charm, enhancing the exaggerated features and dynamic poses typical of his style. The scene humorously depicts Mrs. Showell, the real-life custodian of General Guise's notable art collection housed at Oxford. With her distinctive attire and gesture, she guides viewers through the paintings, likely satirizing the pretensions of art connoisseurs, the role of women as informal guides in private collections, or the burgeoning public interest in exhibitions. Rowlandson's sharp lines and playful distortions capture the era's fascination with art tourism amid Britain's growing cultural scene. As part of The Metropolitan Museum of Art's Elisha Whittelsey Collection, this print highlights the cultural importance of satirical etchings in 19th-century England. They served as social commentary, making high art accessible—and ridicule-worthy—for the masses, reflecting Rowlandson's enduring legacy in visual humor.

About the Artist

Thomas Rowlandson · 17561827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

    Send Feedback

    We use this only to reply to your feedback.