My Studio at Jouy-le-Moutier
Medium
Etching in dark brown or warm black on blue-green laid paper
Dimensions
Image/plate: 24.6 × 21.4 cm (9 11/16 × 8 7/16 in.); Sheet: 28.4 × 24.3 cm (11 3/16 × 9 5/8 in.)
Classification
etching
Department
Prints and Drawings
Museum
Art Institute of Chicago
Accession Number
29094
Rights
Public Domain
Art Historical Context
Step into the cozy confines of Louis Auguste Lepère personal workspace with *My Studio at Jou-le-Moutier* (1893), a etching that offers a rare glimpse into the artist's daily life. Created in the waning years of 19th-century France, print captures Lepère's studio in the village of Jouy-leoutier, just northwest of Paris. As a leading French printmaker and illustrator, Lepère was celebrated for his meticulous depictions of urban and rural scenes, often infused with a poetic realism influenced by Japanese woodcuts and the etching revival of his era. Rendered in dark brown or warm black ink on distinctive blue-green laid paper—its textured surface evoking handmade quality—this etching exemplifies Lepère's mastery of the medium. Etching allowed him to achieve rich tonal contrasts and fine lines through acid-etched copper plates, producing intimate, atmospheric effects unattainable in painting. Measuring about 9 11/16 × 8 7/16 inches, the image invites viewers to ponder the clutter and inspiration of an artist's haven amid fin-de-siècle cultural shifts toward individualism. Housed in the Art Institute of Chicago's Prints and Drawings department, this work highlights Lepère's transition from commercial illustration to fine art prints, bridging Impressionism's everyday motifs with the precision of graphic arts. A charming testament to creative solitude, it reminds us how artists transformed ordinary spaces into realms of imagination.
About the Artist
Louis Auguste Lepère · 1849–1918
Louis-Auguste Lepère (1849–1918) was born in Paris on November 30 to the sculptor François Lepère, immersing him early in the artistic world. At age thirteen, he apprenticed in the studio of the English wood engraver Joseph Burn-Smeeton, training there from 1862 to 1867, and later attended drawing courses under Horace Lecoq de Boisbaudran at the Petite École (now École nationale supérieure des art...