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Near Bettws y Coed, N. Wales, from Picturesque Selections

Near Bettws y Coed, N. Wales, from Picturesque Selections by James Duffield Harding

Medium

Lithograph on paper

Dimensions

Primary support: 28.8 × 38 cm (11 3/8 × 15 in.); Secondary support: 43 × 56 cm (16 15/16 × 22 1/16 in.)

Classification

lithograph

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

127773

Rights

Public Domain

Art Historical Context

James Duffield Harding's *Near Bettws y Coed, N. Wales, from Picturesque Selections (1860) captures the rugged beauty of Snowdonia landscape in North Wales, a region celebrated by 19th-century artists for its dramatic scenery. Bettws-y-Coed, nestled amid mountains and rushing rivers, became a pilgrimage site for painters seeking the "picturesque"—a Romantic ideal blending natural sublime with harmonious composition. Harding, a prominent British watercolorist and lithographer, excelled in translating such vistas into accessible prints, making high art available to a wider audience. Printed as a lithograph on paper (28.8 × 38 cm), this work showcases Harding's mastery of the medium, which he helped popularize through innovative techniques like tinted lithography. Developed from his on-site sketches, the image likely features soft tonal gradations and intricate details of foliage and rock formations, evoking the atmospheric effects of watercolor. As part of the *Picturesque Selections* series, it reflects the Victorian fascination with Britain's wild terrains amid rapid industrialization. Housed in the Art Institute of Chicago's Prints and Drawings Department, this piece highlights lithography's role in democratizing art during the mid-1800s, bridging fine art and popular illustration. Visitors can appreciate how Harding's precise yet evocative style influenced generations of landscape artists.

About the Artist

James Duffield Harding · 17971863

James Duffield Harding (1798–1863) was one of the most influential British watercolorists and lithographers of the nineteenth century, whose teaching manuals, technical innovations, and celebrated landscape paintings shaped the practice of drawing across two generations of artists. Born in Deptford, London, he was the son of a drawing master who had studied under Paul Sandby, and received his earl...

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