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Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio

Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio by Anonymous|Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio

Medium

Engraving

Dimensions

sheet: 5 13/16 x 5 11/16 in. (14.7 x 14.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Phyllis Massar, 2011

Accession Number

2012.136.125.4

Rights

Public Domain

Tags

Mythical CreaturesNeptuneHorses

Art Historical Context

This engraving captures the Roman god Neptune emerging dramatically from the sea, trident in hand, flanked by two fantastical horse-headed sea creatures. Created between 1550 and 1600, it is a reverse copy of a print by Cherubino Alberti, who himself reproduced designs by the Mannerist painter Polidoro da Caravaggio. Polidoro was renowned for his inventive mythological frescoes on Roman palace façades, and Alberti’s engravings helped preserve and circulate these ephemeral works to a wider audience. The engraving medium was especially valued during the Renaissance and Mannerist periods for its ability to translate dynamic compositions into precise, reproducible lines. By reversing the original image, this anonymous printmaker added a subtle variation while participating in a chain of artistic transmission that linked Polidoro’s inventive classical imagery to later collectors and artists. The compact sheet, measuring just under six inches square, demonstrates how such prints made grand mythological subjects accessible beyond grand architectural settings. Now in the Metropolitan Museum of Art’s collection through the bequest of Phyllis Massar, the work highlights the enduring appeal of sea gods and hybrid creatures in European art, reflecting both classical revival and the technical sophistication of 16th-century printmaking.

About the Artist

Anonymous|Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio

In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...

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