Nine-Gem (Navaratna) Talismanic Bracelet, One of a Pair
Unknown Artist
19th century
Medium
Gold, enamel; inset with emeralds, turquoise, garnets, sapphires, diamonds, agate, coral, pearls, and topaz
Dimensions
L. 3 in. (7.6 cm)
Classification
Jewelry
Department
Islamic Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
John Stewart Kennedy Fund, 1915
Accession Number
15.95.22
Rights
Public Domain
Tags
Art Historical Context
This exquisite Nine-Gem (Navaratna) Talismanic Brace, one of a pair the 19th century exemplifies the opulent jewelry traditions of the Islamic world, likely crafted in regions like India under Mughal influence. Fashioned from gold and vibrant enamel, it is inset with nine precious gems—emeralds, turquoise, garn, sapphires,, agate, coral, pearls, and topazeach meticulously set to create a harmonious, radiant design. Measuring just3 inches in length, its delicate scale belies its powerful symbolism, making it a wearable treasure acquired by the Metropolitan Museum of Art through the John Stewart Kennedy Fund in 1915. The "Navaratna" or nine-gem motif draws from ancient Indian astrological beliefs, where these stones correspond to the nine celestial bodies (navagrahas), believed to ward off misfortune, promote health, and attract prosperity. In Islamic art contexts, such talismanic jewelry blended Persian, Ottoman, and South Asian aesthetics, with enamel techniques—possibly cloisonné—providing colorful compartments that highlight the gems' luster. Worn as bracelets, pairs like this would adorn both men and women during ceremonies, underscoring jewelry's role as both adornment and spiritual safeguard in 19th-century courts and elite circles. A captivating glimpse into cross-cultural artistry!