野々村仁清工房 四季花文香炉|Ninsei-style Incense Burner with Flowers of the Four Seasons
mid-17th century
Medium
Stoneware with overglaze enamels
Dimensions
H. 6 3/4 in. (17.1 cm); W. 7 1/4 in. (18.4 cm); D. 7 1/4 in. (18.4 cm)
Classification
Ceramics
Culture & Period
Japan · Edo period (1615–1868)
Department
Asian Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number
29.100.668
Rights
Public Domain
Tags
Art Historical Context
This elegant incense burner, crafted in the mid-17th century by Nonomura Ninsei or his Kyoto workshop, exemplifies the refined ceramic artistry of Japan’s Edo period. Ninsei is celebrated for elevating stoneware through the innovative use of overglaze enamels, transforming functional objects into vibrant works of art. The piece’s rounded form and subtle contours reflect the period’s taste for harmonious, nature-inspired design, while its compact size made it ideal for use in tea ceremonies or scholarly settings. The decoration features delicate flowers representing the four seasons—cherry blossoms for spring, irises or peonies for summer, chrysanthemums for autumn, and plum blossoms for winter—symbolizing the cyclical beauty of nature central to Japanese aesthetics. These motifs, rendered in rich yet balanced colors, highlight Ninsei’s mastery of polychrome techniques that brought a painterly quality to ceramics. Acquired by the Metropolitan Museum through the Havemeyer bequest, this Ninsei-style kōro offers visitors a glimpse into the sophisticated cultural life of 17th-century Kyoto, where art, ritual, and seasonal awareness intertwined seamlessly.