Numazu, section of a sheet from the series "A Harimaze Mirror of Joruri Plays (Harimaze joruri kagami)"

Art Historical Context

Nestled within the vibrant world of 19th-century Japanese uyo-e prints, *Numazu* is a captivating section from Utagawaiyoshi's 1854 series *A Harimaze Mirror ofuri Plays (Harimaze joruri kagami)*. Kuniyoshi, a master the Utagawa school renowned for his dynamic depictions of warriors, ghosts, and kabuki actors here captures a scene from joruri—Japan's traditional puppet theater, linked to bunraku and kabuki. This small color woodblock print (9.8 × 10.5 cm) evokes the theatrical energy of Edo-period (1603–1868) entertainment, where stories of heroism and romance enthralled urban audiences. The harimaze format is a highlight: these irregularly shaped "patchwork" prints were designed to be cut out and assembled into collectible sheets, like a personalized mirror reflecting popular culture. Produced through meticulous woodblock techniques—carving separate blocks for each color and layer—Kuniyoshi's work showcases bold lines, vivid hues, and expressive poses that bring performers to life. Joruri scenes like *Numazu* celebrated historical tales, underscoring theater's role in preserving folklore amid Japan's rigid social structure. Held in the Art Institute of Chicago's Arts of Asia collection, this print offers a window into ukiyo-e's golden age, blending artistry with everyday fascination for the stage. A delightful snippet of history for any visitor!

About the Artist

Utagawa Kuniyoshi · 1797–1861

Utagawa Kuniyoshi (1797–1861) was born in Edo to the silk-dyer Yanagiya Kichiyemon, originally bearing the childhood name Yoshisaburō. From a young age, he assisted in his family's pattern design work, which sharpened his innate mastery of color and textile motifs that would permeate his later prints. At around twelve years old, his prodigious drawing skills drew the attention of the renowned Utag...