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October, from The Twelve Months of the Year

October, from The Twelve Months of the Year by Jan van de Velde, II

Medium

Etching on ivory laid paper

Dimensions

Plate: 15.9 × 30.1 cm (6 5/16 × 11 7/8 in.); sheet: 17.2 × 31 cm (6 13/16 × 12 1/4 in.)

Classification

etching

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

268655

Rights

Public Domain

Art Historical Context

Step into the crisp autumn air of 17th-century Holland with *October*, a delicate etching by Jan van de Velde II from his enchanting series *The Twelve Months the Year* (1616). As a master of the Dutch Golden Age, van de Velde captured the rhythms of rural life through finely wrought prints like this one, evoking the turning seasons and everyday labors of peasants. Produced during a time when the Netherlands was blossoming as a hub of artistic innovation, this work reflects the era's growing fascination with landscape and genre scenes, bridging the gap between Renaissance precision and the emerging Baroque vitality. Etched on ivory laid paper—a creamy, high-quality support that enhances its luminous tones—the plate measures a modest 15.9 × 30.1 cm, making it an intimate yet expansive vista perfect for collectors' cabinets. Van de Velde's etching technique shines here: his needle incised fluid lines into a copper plate, bitten by acid to create rich, tonal depths that mimic the soft haze of October light. Housed in the Art Institute of Chicago's Prints and Drawings department, this piece exemplifies early modern printmaking's role in democratizing art, allowing intricate seasonal narratives to reach beyond elite patrons and into homes across Europe. A timeless nod to nature's cycle, it invites us to savor the harvest's bounty.

About the Artist

Jan van de Velde, II · 15931641

Jan van de Velde II (1593–1641) was a Dutch Golden Age printmaker and engraver whose work represents one of the high points of early seventeenth-century Dutch graphic art. Son of the calligrapher Jan van de Velde I, he was born in Delft and trained as an engraver, likely under or in close contact with the Haarlem printmaking tradition that was producing some of the most ambitious graphic work in E...

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