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One hundred and fifty new designs by Thos. Johnson carver, consisting of Ceilings, Chimmney Pieces, Slab, Glass and Picture Frames (etc.)...the Whole well Adapted for Decorating all kinds of Ornamental Furniture, in the Present Taste

One hundred and fifty new designs by Thos. Johnson carver, consisting of Ceilings, Chimmney Pieces, Slab, Glass and Picture Frames (etc.)...the Whole well Adapted for Decorating all kinds of Ornamental Furniture, in the Present Taste by Thomas Johnson (author)

Medium

1 vol: ill:

Classification

Volume

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Mark J. Millard Architectural Collection, David K.E. Bruce Fund

Accession Number

1985.61.615

Rights

Public Domain

Art Historical Context

Step into the opulent world of 18-century English design with *One Hundred and Fifty New Designs* by Thomas Johnson, a carver and pattern-book innovator. Published in 1761, this illustrated volume showcases Johnson's inventive flair for Rococo ornamentation—the swirling, asymmetrical motifs that defined the "present taste" of Georgian Britain. As a practical guide for craftsmen, it features 150 engravings of ceilings, chimney pieces, slab, glass and picture frames, and more, all tailored to embellish furniture and interiors with elegant, nature-inspired flourishes. Johnson's book holds immense historical significance as one of the era's key disseminators of high-style decoration. Pattern books like this bridged the gap between elite architects and provincial artisans, fueling the decorative arts boom during Britain's prosperous mid-Georgian period. Rococo's playful exuberance, evident in Johnson's leafy cartouches and shell motifs, reflected a cultural shift toward lighter, more whimsical aesthetics post-Baroque. Housed in the National Gallery of Art's Mark J. Millard Architectural Collection, this rare volume (from the CG-E department) offers a window into how tastes evolved, influencing everything from grand country houses to everyday furnishings. It's a testament to Johnson's enduring legacy in shaping ornamental design.

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