Ono no Tofu, from the series "A Gathering of the Elders of Poetry (Shoshikai bantsuzuki)"

Art Historical Context

In the vibrant world of Edo-period Japan (1603–1868), Totoya Hokkei (1780–1850), a skilled ukiyo-e artist pupil of the famed Katsushika Hokusai, created this exquisite color woodblock print around 1820. Titled *Ono no Tofu, from the series "A of the Elders of PoetryShoshikai bantsuzuki)"*, it portrays Ono no Tōfū (894–964), a Heian-era courtier renowned as one of Japan's "Three Great Calligraphers" (Sanseki). Tōfū is depicted in traditional robes, evoking the refined world of classical waka poetry and calligraphy that influenced centuries of Japanese culture. This shikishiban surimono—a square-format, privately commissioned print—highlights the artistry of surimono traditions. Produced in limited editions for poetry circles or New Year's greetings, these luxurious works often featured embossing, mica dusting, and intricate karazuri blind printing for tactile elegance. Hokkei's precise lines and vivid colors capture Tōfū's poised elegance, blending portraiture with poetic homage in the ukiyo-e style. Housed in the Art Institute of Chicago's Arts of Asia department, this 21.3 × 18.4 cm gem underscores surimono's role in preserving Japan's literary heritage, bridging ancient courtly arts with 19th-century print innovation. Visitors will appreciate its intimate scale and cultural depth, a window into poetry's enduring spirit.

About the Artist

Totoya Hokkei · 1780–1850

Totoya Hokkei (魚屋 北渓, 1780–1850), born Iwakubo Tatsuyuki in Edo (modern Tokyo), began his life as a humble fishmonger in the Yotsuya Samegahashi district, a trade reflected in his art name "Totoya," meaning fish shop. He transitioned to art through rigorous training, first studying under Kanō Yōsen'in Korenobu, head of the Kobikichō branch of the prestigious Kanō school, where he honed landscape p...