Panels of Ornament, nos. CCCLXXIII–CCLXXXIV, plate 58 from "Designs for Various Ornaments"
April 29, 1791
Medium
Etching
Dimensions
Plate: 17 15/16 × 11 5/16 in. (45.5 × 28.8 cm) Sheet: 21 3/16 x 14 3/4 in. (53.8 x 37.5 cm)
Classification
Prints|Ornament & Architecture
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Bequest of Herbert Mitchell, 2008
Accession Number
2018.839.43
Rights
Public Domain
Art Historical Context
Step into the refined world of late 18th-century neoclassicism with *Panels of Ornament,. CCCLXXIII–CCLXXXIV*, plate 58 from Michelangelo Pergolesi's *Design for Various Ornaments*. on April 29, 1791, this etching captures the Italian artist's mastery in reproducing intricate decorative motifs inspired by ancient Roman and Greek architecture. Pergolesi, who worked extensively in England, produced these pattern books to aid architects, furniture makers, and interior decorators during a revival of classical tastes fueled by archaeological discoveries like Pompeii. The etching medium shines here, allowing precise lines and fine details across the plate's generous 17 15/16 × 11 5/16 inches. These numbered panels showcase symmetrical arabesques, acanthus leaves, and geometric borders—versatile elements for everything from wall panels to silverware. As part of a larger series, it reflects the era's democratization of high design, making opulent ornamentation accessible to a growing middle class. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department through the 2008 bequest of Herbert Mitchell, this work highlights the bridge between antiquity and modern craft, inviting us to appreciate the enduring elegance of classical ornament.
About the Artist
Michelangelo Pergolesi · 1760–1801
Michelangelo Pergolesi (1760–1801) was an Italian decorative artist, draughtsman, engraver, and designer whose career bridged Rome and London, profoundly influencing neoclassical interiors during the late 18th century. Little is known of his early life or formal training, with biographical details sparsely documented. Likely inspired by classical antiquity and the era's archaeological fervor, incl...