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Panels of Ornament, nos. XLII-XLVI, plate 14 from "Designs for Various Ornaments"

Panels of Ornament, nos. XLII-XLVI, plate 14 from "Designs for Various Ornaments" by Michelangelo Pergolesi

Medium

Etching; printed in dark brown ink

Dimensions

Plate: 17 1/16 × 10 3/16 in. (43.3 × 25.8 cm) Sheet: 21 7/16 × 15 1/4 in. (54.5 × 38.7 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Herbert Mitchell, 2008

Accession Number

2018.839.19

Rights

Public Domain

Art Historical Context

Step into the refined world of 18th ornamental design with *Panels of Ornament,. XLII-XLVI, plate 14* from Michelangelo Pergolesi's *Design for Various Ornaments*. on May 30, 1778, this etching captures the artist's meticulous vision for decorative motifs, likely inspired by the neoclassical sweeping Europe. Pergolesi, an Italian active in London, produced these plates as part of a larger series, offering architects, furniture makers, and artisans ready-to-use patterns for walls, ceilings, and furnishings. Printed in dark brown ink on a generous sheet measuring 21 7/16 × 15 1/4 inches, the etching technique allowed Pergolesi to achieve intricate, delicate lines that evoke the grandeur of ancient Roman grotesques reimagined for modern tastes. Such prints were invaluable in the pre-industrial age, disseminating sophisticated designs across workshops and influencing the decorative arts during the late Enlightenment era. Today, this work resides in the Metropolitan Museum of Art's Drawings and Prints department, thanks to the 2008 bequest of Herbert Mitchell. It stands as a testament to how printed ornament fueled creativity, bridging historical elegance with practical innovation for visitors to admire.

About the Artist

Michelangelo Pergolesi · 17601801

Michelangelo Pergolesi (1760–1801) was an Italian decorative artist, draughtsman, engraver, and designer whose career bridged Rome and London, profoundly influencing neoclassical interiors during the late 18th century. Little is known of his early life or formal training, with biographical details sparsely documented. Likely inspired by classical antiquity and the era's archaeological fervor, incl...

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