Artheon MuseumArtheonMuseum

染付紅葉賀文鎮|Paperweight (Bunchin) with Maple Branch and Bugaku Hat from “An Imperial Celebration of Autumn Foliage” (Momiji no ga), Chapter 7 of The Tale of Genji

Unknown Artist

second half 18th century

染付紅葉賀文鎮|Paperweight (Bunchin) with Maple Branch and Bugaku Hat from “An Imperial Celebration of Autumn Foliage” (Momiji no ga), Chapter 7 of The Tale of Genji by Unknown Artist

Medium

Molded porcelain with cobalt blue under transparent glaze (Mikawachi ware)

Dimensions

H. 1 3/4 in. (4.4 cm); L. 7 1/8 in. (18.1 cm)

Classification

Ceramics

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mrs. V. Everit Macy, 1923

Accession Number

23.225.79

Rights

Public Domain

Tags

HatsLeaves

Art Historical Context

This delicate paperweight (*bunchin*), crafted in Japan's Edo period (second half of 18th century), the refined artistry of Mikawachi porcelain from Saga on Kyushu island. Molded and painted with cobalt blue under a glaze, it stands just 1¾ inches high and stretches 7⅛ inches long—ideal for holding down scrolls or papers on a scholar's desk. The vivid blue motifs against white porcelain evoke the crisp elegance of Japanese ceramics, blending functionality with aesthetic pleasure. The design draws directly from Chapter 7 of *The Tale of Genji*, the 11th-century masterpiece by Murasaki Shikibu that chronicles Heian court intrigue and romance. Titled “An Imperial Celebration of Autumn Foliage” (*Momiji no ga*), the scene features a graceful maple branch with fiery red leaves (implied through stylized form) and an ornate bugaku hat, worn in imperial court dances. These elements capture the transient beauty of autumn, a poignant motif in Japanese culture symbolizing life's ephemerality. Mikawachi ware, prized for imitating Chinese blue-and-white porcelain while incorporating native themes, flourished in the Edo era's prosperous merchant culture. This piece, donated to the Metropolitan Museum of Art in 1923, reflects how everyday objects became canvases for literary homage, bridging elite storytelling with domestic life.

    Send Feedback

    We use this only to reply to your feedback.