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Pedestal with Relief Carving of a Bacchanal with Ornamental Borders

Pedestal with Relief Carving of a Bacchanal with Ornamental Borders by Giovanni Larciani ("Master of the Kress Landscapes")

Medium

Pen and brown ink, brush and brown wash, over graphite on light-brown washed paper

Dimensions

sheet: 5 7/8 x 4 9/16 in. (15 x 11.6 cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1948

Accession Number

48.148(78a)

Rights

Public Domain

Tags

Musical InstrumentsArchitectureOrnamentInfantsMen

Art Historical Context

This delicate drawing by Giovanni Larciani, as the "Master of Kress Landscapes," captures fantastical pedestal adorned with a lively relief carving of a Bacchanal—a riotous celebration inspired by the Roman god Bacchus. Surrounded by intricate ornamental borders, the scene bursts with figures including men, playful infants (likely putti), musical instruments, and architectural motifs, evoking the exuberant spirit of classical mythology and Renaissance revelry. Such designs were prized in 16th-century Italy for decorating furniture, wall panels, or grand architectural elements, blending fantasy with decorative elegance. Executed in pen and brown ink with brush and brown wash over graphite on light-brown washed paper, the work showcases masterful techniques of the period. The graphite underdrawing allowed precise planning, while the ink lines and translucent washes added depth, shadow, and texture, mimicking the illusion of carved stone relief. This mixed-media approach was typical for ornamental draftsmen, enabling architects and sculptors to visualize complex motifs before execution. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this undated sheet (ca. 16th century) highlights Larciani's skill in the Mannerist tradition, where ornament fused architecture with mythological whimsy. It invites visitors to appreciate how Renaissance artists transformed everyday objects into stages for eternal festivity. (198 words)

About the Artist

Giovanni Larciani ("Master of the Kress Landscapes") · 17001800

Giovanni di Lorenzo Larciani (1484–1527), a Florentine painter known initially as the "Master of the Kress Landscapes," emerged from obscurity in the mid-1990s through the scholarship of Louis Waldman, who linked him to documents including a 1521 contract for an altarpiece. Born and active in Florence until his death, Larciani specialized in religious scenes enriched by vivid, atmospheric landscap...

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