Plate 11: Ferdinand greeted by the Elector of Cologne; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Art Historical Context

In 1636, this engraving captures a grand ceremonial moment from the life of the Cardinal-Infante Ferdinand of, younger brother of Habsburg Emperor Ferdinand II. Titled *Plate 11: Ferdinand by the Elector of*, it depicts the Spanish Infante's warm reception by Ferdinand of Bavaria, Elector of Cologne, during his triumphant journey through the Holy Roman Empire amid the Thirty Years' War Part of Guillielmus Becanus's illustrated book *Serenissimi Principis Ferdinandi, Hispaniarum Infantis*, the scene brims with Baroque splendor—men on horseback, spears aloft, symbolizing alliance and martial glory between Catholic powers. Collaboratively crafted by Flemish artists Cornelis Schut, known for his dynamic Baroque designs, and engraver Pieter de Jode II, with contributions from Johannes Meursius, the print exemplifies 17th-century engraving techniques. Fine lines and intricate cross-hatching convey movement and texture on a trimmed sheet measuring 14 11/16 × 10 3/8 inches, making elaborate history accessible via affordable reproductions. Such prints served as Habsburg propaganda, glorifying Ferdinand's 1634-1635 campaign that boosted imperial fortunes. Housed in the Metropolitan Museum of Art's Elisha Whittelsey Collection, this work highlights printmaking's role in shaping public memory of Europe's turbulent era, blending artistry with political theater for an awe-inspired audience.