Plate 30: Cupid and Psyche plead their cases before the Gods, from the 'Fable of Cupd and Psyche'

Art Historical Context

This enchanting engraving, *Plate 30: Cupid and Psyche plead their before the Gods*, is part of a renowned series illustrating the ancient Roman tale fromuleius's *Metamorph*, known as the *Fable of Cupid Psyche*. Depicting the lovers' dramatic appeal to the Olympian deities—complete with soaring eagles symbolizing divine authority—it draws directly from designs by the High Renaissance master (1483–1520). Though created decades after Raphael's death (dated 1530–60), the print captures his graceful figures, harmonious compositions, and mythological elegance, which captivated 16th-century Europe. Engraving, the medium here, was a revolutionary technique for disseminating Renaissance art to a wider audience beyond frescoes and paintings. The "Master of the Die" expertly cut the intricate copper plate, while publisher Antonio Salamanca ensured its distribution across Europe. Measuring just 7 11/16 x 8 7/8 inches, this intimate print from the Metropolitan Museum of Art's Drawings and Prints collection allowed collectors to own a piece of Raphael's legacy affordably, fueling the era's fascination with classical myths. Today, it highlights how prints bridged elite art and popular culture, preserving timeless stories of love, jealousy, and redemption. Spot the majestic eagles and expressive gods—hallmarks of Raphael's influence that continue to inspire. (198 words)