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Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno)

Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno) by Charles Antoine Coypel|Jakob van Schley

Medium

Etching and engraving

Dimensions

Sheet (Trimmed): 8 5/8 × 6 9/16 in. (21.9 × 16.7 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Estate of Ogden Codman, 1951

Accession Number

51.644.180

Rights

Public Domain

Tags

InteriorsMenWomenDon Quixote

Art Historical Context

Step into the whimsical world of Cervantes' *Don Quixote* with *Plate 30: Don Quixote consults the head at Don Antonio Moreno house*, an enchanting 1745 etching and engraving by Charles Antoine Coypel andaver Jakob van Schley This intimate interior scene captures the bumbling knight-errant, Don Quixote, alongside his squire Sancho Panza and others, gathered around a mysterious "enchanted" head that spouts cryptic prophecies—a clever hoax orchestrated by the nobleman Don Antonio Moreno to amuse his guests. Coypel, a leading French Rococo artist, infuses the composition with playful elegance, highlighting the novel's satirical blend of chivalry and folly. Created as part of a celebrated series of prints illustrating Miguel de Cervantes' 1605-1615 masterpiece, this work reflects the 18th-century European fascination with the Spanish epic, which had become a cultural phenomenon. Coypel's original designs, known for their lively Rococo flair—characterized by ornate details, expressive figures, and theatrical lighting—were meticulously translated into print by van Schley, allowing widespread dissemination of these vivid vignettes. Etching and engraving techniques here shine, combining fine lines for texture and depth in the opulent room's furnishings, fabrics, and curious faces. Measuring just 8⅝ × 6⁹⁄₁₆ inches, this gem from the Metropolitan Museum of Art's Drawings and Prints collection (gift of the Estate of Ogden Codman, 1951) invites visitors to ponder the timeless humor of illusion versus reality.

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