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Plate 32: Men with heraldic flags and horses from Overijssel and Utrecht marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'

Plate 32: Men with heraldic flags and horses from Overijssel and Utrecht marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii' by Cornelis Galle I|Jacques Francquart

Medium

Etching with hand coloring

Dimensions

Sheet: 11 3/16 × 15 5/16 in. (28.4 × 38.9 cm) Plate: 9 13/16 × 14 13/16 in. (25 × 37.7 cm)

Classification

Prints-Fete|Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Harry G. Friedman, 1960

Accession Number

60.708.56

Rights

Public Domain

Tags

MenHorsesFuneralsCoat of ArmsFlags

Art Historical Context

This striking etching captures a vivid moment from the elaborate funeral procession of Archduke Albert of Austria, who ruled the Spanish Netherlands until his death in 1621. Plate 32 from the commemorative volume *Pompa Funebris Alberti Pii* shows mounted riders from the provinces of Overijssel and Utrecht carrying heraldic flags and coats of arms. These colorful standards, borne alongside caparisoned horses, underscored the deceased ruler’s authority and the unity of his territories during a period of political transition in the early seventeenth century. Created in 1623 by Jacques Francquart, who designed the procession, and etched by Cornelis Galle I, the print employs hand-applied color to heighten the pageantry of the scene. Such festival books served both as lasting records of ephemeral ceremonies and as instruments of state propaganda, allowing viewers across Europe to appreciate the grandeur of Habsburg court ritual. The careful rendering of fabric folds, equine anatomy, and heraldic detail reveals the technical refinement of Flemish printmaking at the height of the Baroque era. Today the sheet offers modern visitors a window into the solemn yet spectacular customs surrounding royal death, where art, politics, and spectacle converged.

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