Plate Number 346. Wrestling, lock
Medium
collotype
Dimensions
image: 24.5 × 31.2 cm (9 5/8 × 12 5/16 in.) sheet: 48.4 × 61.3 cm (19 1/16 × 24 1/8 in.)
Classification
Photograph
Department
CPH
Museum
National Gallery of Art, Washington, D.C.
Credit
Corcoran Collection (Museum Purchase, 1887)
Accession Number
2014.79.370
Rights
Public Domain
Art Historical Context
Eadweard Muybridge’s *Plate Number 346. Wrestling, lock* belongs to his groundbreaking 1887 publication *Animal Locomotion*, a monumental series of 781 plates that used sequential photography to analyze human and animal movement. Working at the University of Pennsylvania, Muybridge arranged banks of cameras triggered by shutters to capture split-second intervals of action. this collotype print, two wrestlers are frozen mid-hold, their bodies revealing the precise mechanics of balance, tension, and leverage that the naked eye could never perceive. The collotype process allowed Muybridge to reproduce the crisp detail of his glass negatives at a time when photographic printing was still evolving, giving the images both scientific accuracy and striking visual clarity. Though created for study by artists, anatomists, and athletes, these sequences also transformed how motion was understood in art and laid essential groundwork for the invention of cinema. Today the work stands as both a scientific document and an elegant study of human form, inviting viewers to appreciate the hidden beauty within ordinary physical struggle.
About the Artist
Eadweard Muybridge · 1830–1904
Eadweard Muybridge (1830-1904) was an English-American photographer who revolutionized the understanding of motion through his pioneering chronophotographic studies. Born Edward James Muggeridge in Kingston upon Thames, England, he emigrated to America and became famous first for his dramatic landscape photographs of Yosemite Valley, then for his groundbreaking motion studies that proved horses li...