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Pluto, from 'Game of Mythology' (Jeu de la Mythologie)

Pluto, from 'Game of Mythology' (Jeu de la Mythologie) by Stefano della Bella

Medium

Etching

Dimensions

Sheet: 1 15/16 x 2 1/4 in. (4.9 x 5.7 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Phyllis Massar, 2011

Accession Number

2012.136.811.17

Rights

Public Domain

Tags

MenPluto

Art Historical Context

Stefano della Bella, a 17th-century Italiancher active in Florence and Paris, created this intimate etching of *Pluto from 'Game of Myth' (Jeu de la Mythologie)* in 1644. Part of a whimsical series inspired by playing cards, it depicts the Roman god of underworld—ruler of the dead and lord of hidden wealth—in a dynamic Baroque pose, surrounded by infernal motifs. Della Bella's Baroque style shines through in the intricate details crammed into this tiny sheet (just under 2 x 2 1/4 inches), capturing the era's fascination with classical mythology amid Europe's opulent courts. Etching, della Bella's preferred medium, allowed for exquisite line work using acid-etched copper plates, producing rich textures and fine shading ideal for such miniature formats. This technique made his prints highly collectible, blending artistry with playfulness in a "game" that educated and entertained with gods and heroes. Produced during the Thirty Years' War's shadow, these works offered escapist delight, reflecting mythology's enduring cultural pull in 17th-century Europe. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department (Bequest of Phyllis Massar, 2011), *Pluto* invites us to ponder how games bridged art and leisure, turning ancient lore into portable treasures.

About the Artist

Stefano della Bella · 16101664

Stefano della Bella (1610-1664) was one of the most prolific and versatile printmakers of the Italian Baroque period, leaving behind 1,052 prints and several thousand drawings that captured the vivid essence of 17th-century European life. Born in Florence on May 18, 1610, to a family of artists, he trained initially as a goldsmith before studying painting under Cesare Dandini and etching under Rem...

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