桜下絵和歌色紙 紀 貫之|Poem by Ki no Tsurayuki (ca. 872–945) on Decorated Paper with Cherry Blossoms
mid- to late 17th century
Medium
Poem card (shikishi) mounted as a hanging scroll; ink and gold on paper
Dimensions
Image: 8 3/8 × 7 11/16 in. (21.2 × 19.5 cm) Overall with mounting (a): 41 1/4 × 12 1/2 in. (104.8 × 31.7 cm) Overall with knobs (a): 41 1/4 × 14 1/4 in. (104.8 × 36.2 cm)
Classification
Calligraphy
Culture & Period
Japan · Edo period (1615–1868)
Department
Asian Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015
Accession Number
2015.300.242a
Rights
Public Domain
Art Historical Context
This exquisite hanging scroll features a waka poem by the Heian-era poet Ki nourayuki (ca. 872–945), one of Japan's "Four Greats" of classical poetry and compiler of the revered *Kokin Wakashū* anthology. Rendered in elegant calligraphy by Ogata Sōken in the mid- to late17th century during Japan's Edo period, the work is a *shikishi*—a traditional square poem card—adorned with delicate cherry blossoms and gold flecks on paper. Tsurayuki's verse evokes the fleeting beauty of sakura, a timeless symbol of life's transience in Japanese culture, perfectly harmonizing with the blossoms painted beneath. Sōken, a master of the Rinpa school known for its bold, decorative style inspired by nature, transformed this classical text into a visual delight. The ink calligraphy flows with rhythmic grace, set against a shimmering gold ground that catches the light, while the cherry blossoms add a layer of poetic whimsy. Mounted as a hanging scroll, it was likely displayed during seasonal gatherings or tea ceremonies, blending literature, art, and ritual. In the prosperous Edo era, such works celebrated Japan's refined aesthetic of *mono no aware*—the pathos of things—bridging Heian elegance with Rinpa opulence. From the Metropolitan Museum of Art's Mary Griggs Burke Collection, this piece invites visitors to ponder poetry's enduring bloom.