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Portrait of Madame de Faugnes, dame de Thauvenay

Jean-Baptiste Nini

second half 18th century (before 1786)

Portrait of Madame de Faugnes, dame de Thauvenay by Jean-Baptiste Nini

Medium

Medallion: cast terracotta (terre de Chaumont); frame: gilt wood

Dimensions

Diameter: 6 1/4 in. (15.9 cm)

Classification

Sculpture-Miniature

Culture

French, Chaumont-sur-Loire

Department

European Sculpture and Decorative Arts

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of James Hazen Hyde, 1949

Accession Number

49.20.12

Rights

Public Domain

Tags

ProfilesWomen

Art Historical Context

This elegant medallion captures the refined likeness of Madame de Faugnes, dame de Thauvenay, in a delicate profile view. Created by Jean-Baptiste Nini in the second half of the eighteenth century, the work exemplifies the intimate portrait tradition that flourished in pre-Revolutionary France. Cast in terracotta sourced from the Chaumont region—known as “terre de Chaumont”—the piece measures just over six inches in diameter, making it both portable and personal. Nini specialized in such miniature sculptures, which offered an affordable yet sophisticated alternative to painted portraits or carved marble busts. The warm, earthy tone of the clay lends a lifelike softness to the sitter’s features, while the gilt-wood frame adds a touch of aristocratic elegance suitable for display in a salon or private cabinet. These medallions often served as tokens of friendship, tokens of status, or memorials, reflecting the era’s growing interest in individual identity and sentiment. Housed today in the Metropolitan Museum’s collection of European Sculpture and Decorative Arts, the work invites viewers to appreciate both the technical mastery of cast terracotta and the quiet dignity of eighteenth-century French portraiture.

About the Artist

Jean-Baptiste Nini · 17171786

Jean-Baptiste Nini, born Giovanni Battista Nini in Urbino, Italy, in March 1717, emerged as a versatile sculptor and medallist whose career bridged the vibrant artistic scenes of Italy, Spain, and France. The son of a modest painter, Nini received his initial training from his father in the rudiments of engraving. He honed these skills in Bologna, where he simultaneously studied sculpture at the A...

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