"Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan Album
verso: ca. 1615–29; recto: ca. 1540
Medium
Ink, opaque watercolor, and gold on paper
Dimensions
Page: H. 15 1/4 in. (38.7 cm) W. 10 1/16 in. (25.6 cm) Painting: H. 6 7/16 in. (16.4 cm) W. 3 13/16 in. (9.7 cm)
Classification
Codices
Department
Islamic Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955
Accession Number
55.121.10.2
Rights
Public Domain
Tags
Art Historical Context
This exquisite folio from the Shah Jahan Album features a portrait of Maharaja Bhim Kanwar on the verso, painted by the masterful Mughal artist Nanha around 1615–29, paired with calligraphy by the renowned Safavid master Mir 'Ali Haravi on the recto from circa 1540. Titled "Portrait of Maharaja Bhim Kanwar," it captures the Rajput ruler in a poised, regal pose, adorned with symbols of power like swords and delicate flowers—hallmarks of Mughal portraiture that blend Hindu nobility with imperial sophistication. Housed in the Metropolitan Museum of Art's Islamic Art Department, this work exemplifies the opulent Mughal album tradition under Emperor Shah Jahan (r. 1628–58). Albums like this were prized collections of paintings, calligraphy, and illuminations, often reassembling treasures from earlier eras to showcase artistic patronage. Nanha's ink, opaque watercolor, and gold on paper create vivid, jewel-like details, highlighting the fine-line technique and psychological depth typical of Jahangir-era miniatures (1605–27). At 15¼ × 10⅛ inches, the page dwarfs the 6⅞ × 3⅞-inch painting, emphasizing its role as a portable gem in a codex. This fusion of Persian calligraphy and Indian portraiture reflects the cultural synthesis of the Mughal court, celebrating alliances between emperors and Rajput maharajas. A true window into 17th-century South Asian splendor!