Portrait of Mr. Renton (from Sketchbook)
ca. 1870
Medium
Graphite on off-white wove paper
Dimensions
5 1/2 x 8 3/4 in. (14 x 22.2 cm)
Classification
Drawing
Culture
American
Department
The American Wing
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of S.B. Luyster, 1936
Accession Number
36.124a recto
Rights
Public Domain
Tags
Art Historical Context
In the American Wing of the Metropolitan Museum Art, *Portrait of Mr. Rent (from Sketchbook)* Daniel Huntington offers a glimpse into the intimate workings of a 19th-century American studio practice. Created around 1870, during the post-Civil War era when realism and portraiture flourished in the United States, Huntington—a leading figure painter and later president of the National Academy Design—captured this likeness with characteristic precision. The modest scale (5 1/2 x 8 3/4 inches) suggests it was a spontaneous study from one of his personal sketchbooks, possibly preparatory for a larger oil portrait or simply a record of a sitter, reflecting the era's emphasis on individualized commemoration amid rapid social change. Rendered in graphite on off-white wove paper, the drawing showcases Huntington's mastery of pencil techniques. Wove paper, with its smooth, even texture free of visible laid lines, was ideal for fine hatching and shading, allowing subtle modeling of features and fabric textures. This unassuming medium highlights the artist's preparatory process, bridging the gap between observation and finished works, and underscores the value of ephemera in understanding academic realism. Gifted to the Met in 1936 by S.B. Luyster, this sketch preserves a slice of everyday American life—a gentleman's poised gaze—reminding visitors how such quick studies fueled the grand portraits that defined Gilded Age identity.
About the Artist
Daniel Huntington · 1816–1906
Daniel Huntington (1816–1906) was born into a prominent New York family on October 4, 1816, descending from distinguished New England lineage. His early education began at age fourteen at Smith's Academy in New Haven, followed by Yale College, where he studied with Samuel F. B. Morse, the inventor, artist, and president of the National Academy of Design, in 1835. After a disciplinary incident invo...